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The Comtesse dAdhmar, who held a post in the Queens household, received one day a note from the Duchesse de Polignac, Governess of the Children of France, asking her to go with her to consult a fortune-teller of whom every one was talking. For many persons who declined to believe in God were ready and eager to put confidence in witchcraft, fortune-telling, spiritualism, or any other form of occult proceedings.

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Far from being forced, as formerly, to keep in the background her marriage with the Duke of Orlans, it was for that very reason that she was high in the favour of the First Consul and the more en vidence she made it, the better it was for her.
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Slider 2 ONE:That Trzia was infinitely superior to her lover was not only shown by the progress of years and events, but was obvious in the early days of her liaison with Tallien. For her speeches in public and private were not merely empty bombastic talk. She really did everything in her power to rescue from danger and help in trouble the unfortunate people with whom she was surrounded. For she hated cruelty and bloodshed, and saw no reason or excuse for it; in spite of the sophisms and theories of her republican friends. It made no difference to her to what party or class they belonged; she would help any one who was in trouble and appealed to her. And her power was immense, for Tallien, who held life and death in his hands, was her slave, and [310] even the savage Lacomb and Ysabeau, his colleagues, bowed before the charm of her influence.The Countess was extremely pretty, attractive, and amiable. One day while she was sitting for her portrait, Mme. Le Brun had occasion to send for Mme. Charot, her nursery-governess, who came in looking so pleased that she asked what had happened.
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THREE:

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ONE:Mme. de Valence seems to have accepted the situation, but by no means with the Griselda-like satisfaction of her sister. Very soon her reputation much resembled that of her husband, and many were the anecdotes told to illustrate the manners and customs of their mnage.

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THREE:Before the coronation of Napoleon, the latter said to him, Make two large water-colour sketches of the procession with correct costumes, every one in their right place. I will send them to study your designs, which will be exhibited in the great [482] gallery of the Tuileries, so that there may be no confusion.

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THREE:The social existence of Mme. de Genlis, writes Mme. dAbrants, [115] is always a problem difficult to resolve; it is composed of a mass of contradictions, one more extraordinary than the other. Of a noble family, whose name and alliances gave her the right to be chanoinesse of the Chapter of Alix, she was called until her marriage Comtesse de Lancy. She married M. de Genlis, a man of high rank, nearly related to most of the great families in the kingdom, and yet Mme. de Genlis had never in society the attitude of a grande dame.... The important part this woman played in the destinies of France is of such a nature that one must notice it, more especially as she denies a mass of facts, the most notorious of the time in which her name is mixed up, ... pretending never to have spoken to men of whom she must not only have been an acquaintance but a friend. Long before the first outbursts of the Revolution, Mme. de Genlis helped to prepare the influence which afterwards burst like an accursed bomb, covering with its splinters even the woman who had prepared the wick and perhaps lighted the match.

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THREE:And as to Mme. de Genlis, it appears more than probable that if she had followed the advice of Mme. de Custine, as she promised to do, and remained [393] at the h?tel de Puisieux she would still have been a great literary and social success and also a better and happier woman.

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THREE:Marat?

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ONE:She had stopped to change horses and found that she could get none, as they were being sent all over the country to convey the news. She was consequently obliged to remain all night in her carriage, which was drawn up by the roadside close to a river, from which blew a bitterly cold wind.

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THREE:Yes, he replied.Mme. de Genlis had before pointed out to him this danger, but he was very anxious to be with his sister, the only one of his nearest relations left to him, and she did not like to press the matter. But he soon saw that they must separate. The magistrates at Zug behaved very well, saying that the little family gave no reason for complaint, on the contrary were kind to the poor, harmless and popular.

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THREE:The family of Noailles was a large and powerful one, and, as Louis XVIII. remarks in his Mmoires, Les Noailles ... etaient unis comme chair et ongle, [53] and having been loaded with favours by Louis XIV. and Louis XV., seemed to think they had a natural right to all the best posts and highest honours. [54]

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TWO:Kaunitz was now eighty-three years old, tall, thin, and upright. His great intellect, taste, and judgment seemed unimpaired, and he prided himself on his perfect seat on horseback. In costume and appearance he resembled the splendid cavaliers of the court of Louis XIV.

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TWO:Barbier, a lawyer and man of the world, whose journal of eight volumes gives a vivid impression of the life of that time, after remarking that the sentence was a very lenient one, [6] that the chateau was not so large as that of many a fermier gnral, and that the building thereof gave employment to many poor people, goes on to say, As for shame, ... if it is because the King has a mistress, why who has not? except M. le duc dOrlans. [7]... The Comte de Clermont, Abb de Saint-Germain-des-Prs, openly keeps Mlle. le Duc, who was an opera dancer; she spends three-quarters of the year at Berny, the Abbs country house, where she does the honours. She has a fine house in the rue de Richelieu, where the Prince often spends a week. The fathers of the abbey who have business with him go to him there in the morning, for he does not lodge in the palace of the abbey. This goes on in sight of every one, and nobody says a word about it.The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.

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GrardThis, however, was not done, owing to some palace intrigue, and greatly to the relief of Mme. Le Brun, who much preferred to live by herself in her own way.In this remote and delightful home they decided to stay for the present, and Pauline as usual spent much of her time looking after and helping the peasants, who followed her with their blessings as she went about.
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